As we launch into the “Wildlife Wonder” exhibition this July, I’d like to share some insights into my approach to wildlife painting. This process, honed over years of observation and practice, is at the heart of each piece I create.

My work begins in the field, where patient observation is key. Hours spent in nature – watching, listening, and sometimes waiting – form the foundation of each painting. These experiences allow me to capture not just the physical attributes of an animal, but its essence and behavior.

The challenge lies in translating these fleeting moments onto canvas, particularly when working in miniature. Each brushstroke must be precise, each detail carefully considered. Both small and larger scale demands a level of focus that pushes the boundaries of technique, especially when working with the fluid and sometimes unpredictable nature of watercolors.

In my studio, surrounded by specimens, sketches, and reference photos, I meticulously build each composition. The goal is to create a window into the natural world, inviting viewers to experience these wildlife encounters as intimately as I have.

The new “Wild Wonders” exhibition represents countless hours of fieldwork and studio time. Each piece is a distillation of observed moments, technical skill, and a deep appreciation for our natural world. My hope is that these works will not only showcase the beauty of wildlife but also inspire a connection to nature in those who view them.

As we prepare for the exhibition releases, I’m reminded of the privilege it is to share these glimpses of the wild with you. I look forward to presenting this collection and discussing the stories behind each piece.