Building a Wolf Portrait in Layers

Beginning a new wildlife painting is an exciting moment full of potential. This portrait of a delighted black wolf started with careful graphite studies, mapping out proportions before applying the first strokes of paint.

I laid in the initial structural underpainting using thinned layers of sepia and burnt umber. This detailed base established the facial features and fur textures. Meticulous washes built form and mass, preparing the surface for color.

Now the portrait comes to life in delicate transparent layers. Soft touches of vermilion and carmine bring vibrancy to the tongue and ochre blends bring warmth to the golden eyes and fur. I work wet-on-dry, letting the colors build up to eventually create the illusion of dimension.

The wolf’s personality emerges with every brushstroke as I develop the piece. While more fine details are yet to come, the joyful essence shines through the early washes and glazes. I look forward to uncovering the portrait stroke by stroke, building luminous layers that capture this wolf’s delight. Stay tuned for more progress on this radiant, multi-layered portrait.